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(UNIT)
26TH APRIL 2008
(45-MINUTE EPISODE, PART 1 OF
2)
Like the
Silurians and the Yeti, the Sontarans are certainly one of Doctor Who’s
more
memorable second-tier monsters, and as such I wasn’t at all surprised when
the news broke that they were being resurrected for the new series.
However, I can’t say that I was
especially excited by the prospect as I’ve always found the
Sontarans to be rather generic. Stormtroopers. Footsoldiers. Skinhead
thugs. Little more.
However, I’m
pleased to report that the Sontarans of The Sontaran Stratagem are
much better rounded and much more imposing than the bland Sontarans
of yesteryear. Helen Raynor’s script is head and shoulders above those
that have preceded it because it is fundamentally about the
Sontarans. They aren’t just bludgeoned into a story for the hell
of it
because they’re reasonably popular; on the contrary. Raynor’s story is
built upon the Sontarans’ more noteworthy traits, such as their proclivity
for cloning and their unrivalled
love for war.
There’s also
been a lot of hype surrounding this episode as it sees Freema Agyeman
return to the fold as Martha Jones. Now a Doctor in her own right, Martha is a very different woman to the one
that walked out on the Doctor at the end of Last of the Time Lords.
She is all bus-iness; so much so that Donna accuses the Doctor of having
turned her “into a soldier”. This observation is perhaps a little harsh
though; as Martha is keen to point out, she doesn’t carry a gun.
“When you have two hearts, three is clearly not a crowd.”
I was pleased to
see that Raynor doesn’t dwell too much on the reunion.
Though the scene where the Doctor and Donna meet Martha is undeniably
tense, it is succinct and it doesn’t descend into the sort of catfight
that the Doctor had on his hands when Rose met Sarah Jane in School
Reunion. Indeed, the boyfriend mentioned in Martha’s recent
Torchwood appearances has now become the fiancé, and any lingering
lust for the Time Lord looks
to have long
since departed. This, coupled with the fact that Donna’s feelings for the
Time Lord are platonic, means that there is nothing for the pair to fight
about. David Tennant and Freema Agyeman are both marvellous here, and
Catherine Tate – who during filming took two weeks to realise that there
were actually actors inside the Sontaran costumes, having originally
assumed that they “ran on electric”! – is really at her best.
I also think
that it’s very fitting for UNIT to return in full force in this episode as the Sontarans are, essentially, a race of
soldiers. And on the whole I was very impressed with how Raynor portrayed
the modern UNIT, although it does have to be said that they look naked
without the Brigadier!
Nevertheless,
Raynor does a far better job than the classic series ever did in fleshing
out the characters in the lower ranks. Not only do we have the Doctor’s
pseudo-companion Private Ross Jenkins here, but we have also have the two
privates who first discover the Sontaran presence and end up being
brainwashed. All three of these characters are given sufficient screen
time to be invested with a little personality, really making the viewer
care about these mere “grunts”. Christian Cooke (Echo Beach, Demons)
is particularly good as Private Ross Jenkins; until I saw his scenes I had forgotten
how effective a military foil to the Doctor could be.
“It’s like a talking baked potato.”
There are also
some nice nods to the old UNIT days too – the Doctor’s quip about being unsure
as to when he actually worked for the organisation will have no doubt have
amused many fans (it certainly did me), and it was also rather affecting to see the old call
signs “Gr-eyhound” and “Trap One” still being used. What I don’t get though
is why Raynor changed
the acronym to
stand for the “Unified Intelligence Taskforce” instead of the “United
Nations Intelligence Taskforce”, especially given that the organisation’s
United Nations funding is referred to explicitly in the dialogue. Bizarre.
The character of
Luke Rattigan is well done, albeit a little cliché. It
has long been a
staple of Doctor Who that an invading alien force
will have a human
agent of some description, but I don’t ever recall
it being a complicit
adolescent before. However, these ‘boy genius’
characters always seems to
work far better as heels (just look at
how reviled Adric was, or Adam for
that matter) and here Raynor
has really cashed in on this antipathy. Ryan
Sampson (who went
to the school that my sister teaches
English at, incidentally)
imbues
the megalomaniac youngster with a hint of mania that is really quite
disturbing. I think it is Jenkins who likens Rattigan’s
academy to the
Hitler youth, a
particularly pungent metaphor considering the might
of the army that
is backing the little tyrant.
Rattigan’s
inclusion in the script also allows Raynor to have great fun with
another Doctor Who tradition – taking the mundane and making it
frightening. “Evil SatNav” is, simply put,
an inspired idea - I certainly
won’t be looking at my TomTom in the same way again! The
SatNav
element is only the tip of the iceberg though here – Rattigan’s terrifying ATMOS
project, designed with the intention of making every car on the planet a
weapon, is simply too unsettling for words.
“We stare into the face of death!”
As for the
Sontarans themselves, Chris Ryan
(The Young Ones, Bottom) is
extra-ordinary
as General Staal; he has far more in the way of
personality
than any of the other Sontarans –
Linx included –
that we have seen on television
before. The
design of the Sontaran armour and
their credible
make-up are both magnificently
effective, and
the realisation of their spherical battleships is perhaps even better. I’m
very
pleased - and
even a bit relieved - that the distinctive design of the Sontaran ships
has
remained much
the same as it always was. I’m also gratified to see that the ‘probic
vents’
on the back of
the Sontarans’ necks are present and correct.
For me though,
the Sontarans’ most powerful scene was one of the episode’s last, where
they are preparing to go to a war footing and they are all chanting “Sontar-ha!”
and punching their hands. It put me in mind of highly regimented
military organisations like the SAS, and also of soccer casuals and their
primal and communal craving for combat. Raynor’s script really gets across
the love that the Sontarans have for what they do.
“There is an enemy of the Sontarans known as the Doctor. A face-changer.
Legend says he led the battle in the Last Great Time War.
The finest war in history and we weren’t allowed to be part of it.”
What I don’t
understand though is why Ryan didn’t play all of the Sontarans. As they
are a clone race, in theory at least they should all look the same. Even
in practice, Linx and Styre were identical, for example. This
aside though, the cloning thread of the story worked very well; through it Raynor was able to treat us to some truly creepy scenes like the two UNIT
privates discovering the amorphous, gollum-like clone festering in the
tank, as well as truly iconic scenes like Martha’s evil clone rising up
out of the slime. Brilliant stuff.
“He’s wonderful. He’s brilliant. But he’s like fire. Stand too close and
people get burnt.”
Furthermore,
Martha’s return has not seen Donna short-changed: indeed, The Sontaran
Stratagem sees Donna make significant contributions to the plot – her
discovery about the ATMOS employees’ lack of sick days, for example – as
well as being given the chance to return home for the first time. I love
the scene where Donna gets out of the UNIT jeep and walks down her old
street. Douglas MacKinnon’s direction is gorgeous; the unusual
angles work extremely well. The way the camera starts off above
Donna and then slowly levels off
in a way represents her return to
ordinariness; her return home. Her tearful reunion with her Grandfather, Wilf, is also nicely done. Raynor didn’t even need to write any dialogue
for the scene – everything that needed to be said is there in
Catherine Tate and Bernard Cribbins’ heartfelt performances.
However, in this
week’s episode of Doctor Who Confidential, Russell T Davies makes a
very good point – Doctor Who is not a soap opera. Fair dues, a
companion’s family may form part of the show’s tapestry these days but,
when all is said and done, when they show up it is only so that they can
be put in mortal danger. And this series has spent so much time building
up Wilf’s amiable character that when he is put in danger at the end of
this episode, it hurts. The audience really don’t want to see anything bad
happen to the old stargazer…
Overall there is
very little not like about The Sontaran Stratagem. The only grumble that I could have is that the episode doesn’t seem to
rattle along quite as quickly as the foregoing three episodes have done. I’m
hesitant to call The Sontaran Stratagem slow though; it is perhaps
better described as being ‘traditionally’ paced. As the story gets longer
and the canvas gets deeper, the pace can often suffer a little bit. This
is more than made up for by the episode’s virtues though. This one is
certainly not to be missed.
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