STORY PLACEMENT

 THIS STORY TAKES

 PLACE BETWEEN THE

 BIG FINISH AUDIO BOOK

 "EMPATHY GAMES" AND

 THE TV STORY "IMAGE

 OF THE FENDAHL."

 

 PRODUCTION CODE

 4T

 

 WRITTEN BY

 BOB BAKER &
 DAVE MARTIN

 

 DIRECTED BY

 DERRICK GOODWIN

 

 RATINGS

 7.9 MILLION

 

 WORKING TITLES

 THE ENEMY WITHIN &

 THE INVISIBLE INVADER

 

 RECOMMENDED 

 PURCHASE

 'K-9 TALES' DVD BOX

 SET (BBCDVD2439)

 RELEASED IN JUNE 2008.

 

CLICK TO ENLARGE

 

CLICK TO ENLARGE

   

 BLURB

 WHILE ANSWERING A

 MAYDAY FROM A

 REFUELLING STATION ON

 SATURN'S LARGEST

 MOON, THE TARDIS

 PASSES THROUGH A

 MYSTERIOUS CLOUD.

 ALARMED, LEELA SENSES

 A MALEVOLENT

 PRESENCE. THE DANGER

 TURNS OUT TO BE AN

 INTELLIGENT SPACE

 VIRUS, AND THE DOCTOR

 IS SOON INFECTED AND

 FIGHTING FOR CONTROL

 OF HIS MIND.

 

 WITH THE TIME LORD

 INCAPACITATED, LEELA'S

 ONLY HOPE LIES ON A

 NEARBY MEDICAL

 SATELLITE. THERE, HELP

 COMES IN THE UNLIKELY

 COUPLING OF ECCENTRIC

 SCIENTIST PROFESSOR

 MARIUS AND HIS DOG-

 SHAPED COMPUTER,

 K-9...

 

 BUT CAN THEY SAVE THE

 DOCTOR BEFORE HE IS

 UTTERLY CONSUMED BY

 THE ENEMY WITHIN?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The Invisible Enemy

1ST OCTOBER 1977 - 22ND OCTOBER 1977

(4 EPISODES)

 

 

                                                       

 

  

Doctor Who’s fifteenth production block began with the recording of “The Invisible Enemy”, which would eventually see transmission as the 1977/78 season’s second story. It is notable for being Graham Williams first serial in charge as producer, K-9’s first story as a ‘companion’, and also for seeing the return of the original TARDIS console room. I do not think that I am alone in thinking that all three of these things were not necessarily positive steps forward.

 

The return of the original TARDIS console room was quite simply a question of Williams’ personal choice; he had not liked the gothic, ‘Jules Verne’ style TARDIS interior that had been used during the previous season. I think that considering the pressure that the producer was under from his superiors to tone down the horror and violence, the return of this bright white console room may well have signalled his intention to steer Doctor Who away from its ‘gothic horror’ days. Similarly, the decision to retain K-9 permanently – something that had never been intended in the beginning – probably also had a lot to do with Williams’ desire to inject a little bit of humour and potentially make the show more family friendly. And to be fair, as scorned as K-9 so often is amongst fans, he was certainly both popular and memorable with the general audience. After all, how many other robot dogs are there out there who get to form the centrepiece of a lush DVD box set forty years past their prime?

 

Above: Gary Gillatt in the "Dreams and Fantasy" documentary

 

As for “The Invisible Enemy” itself, it has to be said that I have a fervent dislike for this serial and so, as you can imagine, I was hardly thrilled to hear of its release on DVD ahead

of so many infinitely superior serials. Gary Gillatt’s eloquence almost had me warming to it as I was watched the DVD’s flagship special feature, “Dreams and Fantasy”, but at the end of the day this “awful to awesome” serial leans far too heavily towards “awful” for my taste.

 

 

Now that said, this serial does contain some fantastic elements – just take the whole sequence inside the Doctor’s brain, for example. In terms of sheer imagination, Bob Baker and Dave Martin have to be commended. It is the execution, however, that is all wrong. What could have been a wonderful sequence goes horribly awry as we end up just bearing

witness to the Doctor and Leela’s minuscule clones running around inside the Doctor’s very unconvincing head being attacked by his own phagocytes.

 

Above: "The Invisible Enemy", revamped for 2008 with new CG effects

 

I think that this DVD has taught me to be a little kinder to this story though; an attitude made almost effortless thanks to the new computer generated effects. And we are not talking

about just a CGI shot here or there, either. Like with “The Invasion of Time” DVD, almost every single shot in this serial is given the once-over and the result is simply stunning. One would think that decent effects would jar dreadfully when juxtaposed with the old 1970s footage, but the Restoration Team have done the new effects in a style that blends in with

the old footage extraordinarily well. The only trouble is, of course, that when the next DVD comes along that has not had all the special effects redone, I am going to feel hard done-by!

 

 

Save for the sadly Tom Baker-less commentary, the rest of the DVD special features are a completist’s dream. The disc has over twenty minutes of raw studio footage depicting Baker at his zenith (take that as you will) as well as an absorbing 16-minute featurette that sees visual effects designer Mat Irvine catch up with this story’s model maker Ian Scoones. This surprisingly informative featurette really helped me gain a whole new appreciation for the model maker’s craft. Best of all though is a short Blue Peter clip that sees K-9 get molested by the Blue Peter dog, Shep!

 

"How am I expected to talk to this fucking prawn?"

                                                                              - Tom Baker

 

The serial itself culminates in a showdown with a macrocosmic viral nucleus that is quite possibly one of the series’ all-time worst props. Baker certainly thought so – rumour

has it that he kept laughing throughout his scenes with the nucleus, forcing several re-takes. What is more, after filming had wrapped Baker complained to Williams about the evident drop in production values, and quite right too, I reckon - “The Invisible Enemy” was hardly the best of starts to the new producer’s reign, and to this day remains a serial that is best avoided, no matter how well jazzed up and redressed for DVD.

 

Copyright © E.G. Wolverson 2007, 2008

 

E.G. Wolverson has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work.

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