STORY PLACEMENT THIS STORY TAKES PLACE BETWEEN THE
BIG FINISH AUDIO TWILIGHT" AND "JUBILEE."
PRODUCTION CODE 7C/F
WRITTEN BY SIMON A. FORWARD
DIRECTED BY GARY RUSSELL
WORKING TITLE THE SANDMAN COMETH
RECOMMENDED PURCHASE BIG FINISH CD#37 (ISBN 1-903654-76-9) RELEASED IN OCTOBER 2002.
BLURB The Clutch is a fleet in constant motion, ships jostling for position, in an endless migration between the stars. For the Galyari, forbidden by an ancient curse from settling on a world ever again, the Clutch is home. But the curse travels with them!
The Sandman, a figure of myth and folk- lore, preys on the young and old alike. He lurks in the shadows and it is death to look upon him.
All too soon after the TARDIS arrives, it is evident that the Doctor and the Galyari share a dark history, and Evelyn is shocked to discover that, on the Clutch, it is her friend who is the monster.
The Sandman, according to the tales, also goes by the name of the Doctor! |
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The Sandman october 2002 (4 EPISODES)
It has been a long time since we last head from the sixth Doctor and Evelyn. Considering the high standard of the first five Colin Baker / Maggie Stables audios, “The Sandman” really had its work cut out for it. On top of that, the lengthy Paul McGann / India Fisher ‘second season’ of stories was of an impossibly high quality, and since then Big Finish have treated us to classics like “Spare Parts” and “The Rapture” with other Doctors whilst all we had on the sixth Doctor front was a lacklustre adventure with Peri - “…ish.” Suffice it to say the stakes have never been higher for this much beloved duo.
"The Sandman" conjures up some wonderful imagery, most notably that of ‘the Clutch’; a huge inter-galactic gypsy convoy on which the bulk of the adventure takes place. Furthermore, Simon A Forward’s premise for this story is intriguing – one culture’s hero is another’s monster and everything is a matter of perspective. Many years ago the Doctor defended a world against a hostile species known as the Galyari, and this play explores the long-term consequences of the Doctor’s interference with that particular species. Forward is extremely clever in how he takes small facets of the Doctor’s story and exaggerates them beyond belief to create ‘the Sandman’ myth, the most memorable of which being that his hideous multi-coloured patchwork coat gives the Galyari migraines because of their more sensitive vision. Translated into ‘the Sandman’ myth, “…to look upon him is death!”
However, the twist comes in the form of how the play is presented – for a long while the listener is led to believe that the Doctor actually is the monstrous ‘Sandman’ that the Galyari depict him as, and Evelyn as our anchor is put in the same position. I do not think that this play would have worked as well with any of the other Doctors, except perhaps the seventh. With any other Doctor, you could be certain that the whole 'Sandman' myth were hyperbole and nonense. But the sixth? The ‘weak link’ in the chain? The Doctor who tried to kill his companion in a post-regenerative fit? It at least gives the listener pause.
Moreover, Baker’s performance is so over the top that at times he makes it seem conceivable that he did commit all the terrible acts that the Galyari blame him for; you can even feel Evelyn’s faith in him slipping. However, this is not Baker playing the Doctor – this is Baker playing the Doctor playing the Sandman which is quite different. Yes, the Doctor slips back into his louder, more aggressive persona that he demonstrated throughout much of season twenty-two, but this is a deliberate move on the part of the actor and the writer – much like Tom Baker’s heated performance in the early episodes of “The Invasion of Time,” it is vital to the plot.
The cover illustration proudly announces the return of both Anneke Wills (who played the companion Polly during seasons three and four) and distinguished actor Ian Hogg (who played Josiah Smith in “Ghost Light”). Whilst Hogg’s role is rather small considering his credit on the front cover, Wills is outstanding as Director Nrosha – a Galyari with a deep personal grudge against ‘the Sandman.’ How much of the character’s presence can be attributed to Wills and how much to the sound design of Gareth Jenkins I do not know; the voice modulation and feisty performance combine to create a frighteningly larger-than-life character – a far cry from the mild-mannered Polly!
Somehow though, I did not find this serial quite as compelling as the stories that have come before it. As Evelyn is massively under-utilised and as the Doctor is lost in his act for much of the story, “The Sandman” - a story I eagerly anticipated just because of the return of the sixth Doctor and Evelyn - feels a bit empty. Nevertheless, "The Sandman" is still an interesting piece of thought-provoking drama which once again takes the show into new territory.
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Copyright © E.G. Wolverson 2006
E.G. Wolverson has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work. |
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