STORY PLACEMENT

 THIS STORY TAKES

 PLACE BETWEEN THE

 NOVELS "EATER OF

 WASPS" AND "THE

 SLOW EMPIRE."

 

 WRITTEN BY

 KATE ORMAN

 

 FROM A STORY BY

 JONATHAN BLUM

 & KATE ORMAN

 

 RECOMMENDED 

 PURCHASE

 OFFICIAL BBC 'EIGHTH

 DOCTOR' PAPERBACK 

 (ISBN 0-563-53831-7)

 RELEASED IN JUNE 2001.

 

CLICK TO ENLARGE

  

 BLURB

 The weather is going

 to hell. THE tigers

 are coming to town.

 And the Doctor has

 taken his violin and

 vanished.

 The island world of

 Hitchemus is home to

 a colony of HUMAN

 musicians and alien

 animals. When BOTH

 the storms and the

 tigers break loose,

 the Doctor tries to

 protect the humans -

 but the humans don't

 want him.

 

 When he ventures in

 to the wilderness in

 search of the tigers'

 secrets, Fitz and Anji

 find themselves on

 their own, trying to

 prevent a war.

 With both sides eager

 for blood and STORMS

 on the horizon, the

 Doctor must decide

 whether he's on the

 side of the human

 race THIS TIME.

 

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The Year of

Intelligent Tigers

JUNE 2001

 

 

                                                       

 

 

Often the best ideas are the maddest ones. Those that, by all rights, should never see the light of day, and would most likely never make it beyond the slush pile were they not bearing the name of a respected writer. Often the most memorable books are borne of such ideas, and The Year of Intelligent Tigers is one such book.

 

Kate Orman’s reputation as one of the most idiosyncratic, and indeed one the finest, Doctor Who novelists is one that is well-deserved, and if I were asked to point to one book that best typified her work then this would be it. Her prose has never been any more sumptuous; her characterisation never any more real, or raw. And in terms of its plot, The Year of Intelligent Tigers is her most outstanding as it does everything that a good science fiction story should, supplying incident and intrigue in roughly equal measure, but it is also couched in sublimely-executed musical metaphor. Every chapter – every verse - ebbs and flows with the rhythm of a Murray Gold concerto, whilst more overtly the narrative is built around musical conceits.

 

The premise is absolutely bonkers. We have a paradise planet, Hitchemus, where a number of human musicians have settled. Amongst them roam huge, apparently docile, Tigers which appear almost identical to those that evolved on Earth. But appearances can be deceptive. When Anji is accosted by a bibliophilic Tiger in the library, she begins to suspect that they might be sentient, and before long, she’s proved right. Having studied the humans for long enough, the Tigers stage a coup and seize control of the colony… and then demand to be taught the art of music.

 

Somehow though, it works, and works superlatively. With a view to unravelling the mysteries of their motives and intelligence, the Doctor goes native, infiltrating the Tigers Bewilderness and living amongst the ambush as a Tiger. He tries to discover why one generation of Tigers is intelligent, yet the next not; to unravel the mystery of this planet and its increasingly hostile  weather. And in doing so, with his head shaved and his feet bare, the Doctor comes within a whisker of unravelling the mystery of himself.

 

 

Orman’s inspired portrayal of the amnesiac Doctor cuts right to the hearts of the character. She doesn’t focus too heavily on missing memories, instead exploring the lost Time Lord’s thoughts and feelings. Why was he so desperate to travel in time and space when he was trapped on Earth? And now that he’s got there, why does he feel the need to settle down? This Doctor is an emotional storm that quickly gives rise to a tumultuous physical one as, Christlike, he tells the Tigers and the humans to go and save their own world for a change. He’ll give them the keys, but he won’t open the doors.

 

The Year of Intelligent Tigers is

also kind to the Doctor’s friends,

the author affording each almost

as much development as she does

him. After his breakdown in Earth-

World, Fitz’s extended, peaceful

stay on Hitchemus prompts almost

the opposite. Given the chance to

catch his breath, form a band and

finally finish some tunes, Fitz finally

realises just how dangerous and

frantic his life has become, and

what a brave bloke he’s had to turn

into. Meanwhile, Anji’s trust in the Doctor is given an almighty wobble that puts the insecurity

of the last few books shame. Orman recognised that in order to give Anji’s worries about him credibility, she’d have to make them well-founded, and so whilst the Doctor of this story may live up to his ‘Oncoming Storm’ soubriquet, he’s still damaged. This book really makes each of the flaws in his increasingly alien character catch the light.

 

The Tigers themselves are spectacularly drawn, each of the main characters imbued with distinct personalities that manage to be far more memorable than any of the colonists, with the possible exception of Karl Sadeghi - a violinist with an artist’s temperament and an Alan Turing-like crush on the Doctor. Karl adds yet another layer to the tale’s already multifaceted makeup, helping to bring out aspects of the Doctor that we’d never glimpsed before. Violin virtuoso, or idiot savant? Detached alien rover, or lonesome soul in search of a home? The questions are posed, but the unfathomable answers lie behind two bloodshot pools of grey.

 

Complaints? Nil of note. The Year of Intelligent Tigers is at times a little slow to progress, but it’s never sluggish – it’s relaxed. Events move along at sufficient enough speed to hold

the reader’s interest, but are paced so as to give him time to appreciate every last word of the author’s lyrical prose and seek out every last delicate hint of subtext. This is not a book that should be wolfed down like a Tiger’s tea, but savoured.

 

Copyright © E.G. Wolverson 2010

 

E.G. Wolverson has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work.

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